So I will be transcribing my fathers novel called "Dad's Story" into an Animated Short. My pipeline will be:
PRE-PRODUCTION
- Project start: "Dad's Story"
- Analysis: Filter out "key scenes" into a manageable 3 act structure between 1- 3 minutes long
- 2D animatic: outlining basic storyline / camera angles
- Visual research: 1940's architecture (British / German), birds eye view landscapes, Avro Lancaster B52 bomber, German anti aircraft weapons, RAF uniforms, pictures of Warrant Officer Harry Lavey DFM and other family photo's
- Concept Art: Digital paintings of key scenes / environments. Character design turnarounds and orthographic views
PRODUCTION
- Modelling: Avro Lancaster B52 bomber, Environments, Character
- UV mapping / texturing: Lancaster B52 bomber, Environments, Character
- Rigging: Lancaster and character
- Animation: Lancaster and character
- Effects simulation: Clouds, Lancaster engine exhaust, bullet trails
- Lighting: Key scene lighting
- Rendering: Beauty, ambient occlusion, Z-depth
POST PRODUCTION
- Compositing: Combining render passes, matte painting integration
- Final edit / sound: Editing and exporting with sound
- AFter effects: Camera shake, bullet trails
Seeing this in black and white seems quite daunting. At this stage I'm still reading the novel and deciding on what to put in and what to leave out. I understand it may look like I'm biting off more than I can chew, but when I start to finalize the basic structure I will refine this pipeline.
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